Commercial Color Grading & Finishing
Colour correction, shot matching, and grading across a 41-clip delivery.
Services / Post-Production
A technical foundation first, then a look that belongs to the project.
Overview
Professional DaVinci Resolve color correction and grading for footage produced by Big Monster Studio or other filmmakers.
The goal is not simply to apply a LUT. We establish a strong technical foundation — color management, transforms, exposure, balance, and shot matching — and then develop a visual language appropriate for the project.
Also in Post-Production:
What We Can Provide
Not every project needs everything here. We scope the ones your production actually calls for.
How It Works
Every project is quoted individually — there is no fixed price list, because a one-camera interview and a three-day shoot are not the same job.
Send camera, format, runtime, and any reference for the look.
Drive link, Resolve project, or XML/AAF — whatever you have.
Technical pass, creative pass, then review with your notes.
Graded masters and any additional deliverables you need.
Relevant Work
Color work runs through the studio’s films and client deliveries.
Colour correction, shot matching, and grading across a 41-clip delivery.
A music video for the Chicago artist Dreams of Zephyrus, shot, cut, and graded by the studio.
Film & NarrativeIn post-production
An MFA thesis film directed by David Wodka and produced by Luisa Bott, in post-production.
Something Brewing?
Start an inquiry and we will follow up to discuss the production, availability, and next steps. Nothing is charged and nothing is committed at this stage.